Must Watch: Levar Burton’s 2012 Tools of Change Keynote Address

February 17th, 2012 § 0 comments § permalink

“The stories that we tell each other and have told each other throughout the history of the development of civilization are integrally important, are inextricably linked, to how we continue to invent the world in which we live.”

Authoring Software, Silly Licenses, and Evil Empires

January 24th, 2012 § 0 comments § permalink

The difference between Apple as an evil empire and Microsoft as an evil empire player is simple. Where Microsoft’s technology was often a cheap imitation of what was already available in superior products, Apple’s technology continues to be solid, forward-thinking, and well designed. The game has changed and advocates of the open Internet as a creative platform need to step up.

Now, I’ll be the first to admit that Microsoft has changed a lot. I am no longer embarrassed to dual boot and I do find MS Office 2010 to be a fantastic suite of applications. In a lot of ways, Microsoft has done a lot to repair an image that needed it. That impetus for change didn’t happen overnight and it didn’t happen without an economic incentive. The same is true of Apple. If you want to help stop the proliferation of dumb licenses, help make the competition better. I am not asking you to code. I am not asking you to become a software designer. I am not even asking you to switch operating systems. I am just suggesting you look at the tools available and decide what works the best not just in the short term, but for the long haul. Use the open tools that are available or push your vendors to create standards-compliant products that can compete.

I know it is hard to compete with a free product. Then again, I don’t really think Apple’s iBook Author software is free. It is, potentially, the most expensive software available today. It pre-emptively takes full commercial control of any creative work designed in the software. I keep reading these arguments that try to liken it to a publisher buying a book and sharing the profits. Some point to Amazon’s publishing its restrictions that I would also strongly suggest everyone pay careful attention to. That said, as far as I am aware, Amazon isn’t dictating licensing based on a software package. I am able to create my work using whatever software I see fit. I can then shop my work to other publishers or sell my creation myself. Amazon only cares when they are the method by which I choose to sell, and that (like choosing Apple as a channel) is purely the author’s prerogative. More realistically, Apple’s stance would be like Microsoft demanding the right to sell and publish every commercial novel that was written with MS Word.

Hmmm….on second thought, let’s not give Microsoft any ideas. I am not so sure they have changed that much.

Reflection on Lanier’s Op-Ed

January 19th, 2012 § 0 comments § permalink

Jaron Lanier (author of You Are Not a Gadget) had an interesting take on the SOPA blackouts and Web activism. His article, “The False Ideals of the Web,” led to the reflections below.

I know that Lanier has his axe to grind and that is all well and good. We all do. I even agree with most of what he has to say. It is dangerous to frame any discussion in regard to regulating the Internet purely in terms of black and white. This is especially true when we are talking about battles between corporate interests. Several of the companies that oppose SOPA have less than stellar track records when it comes to supporting an open Internet community. In their continued attempt to enact a form of modern day enclosure on the content their users create they often end up working against the very ideals that first allowed them to grow and prosper. He and I have no disagreement in this regard, whatsoever.

Since we agree that much of the opposition to SOPA comes from companies with specific economic goals, I have to admit I was surprised by the direction his piece took. Lanier’s assumption that the argument against SOPA is somehow about the maintenance or worship of “free” content is completely off the mark. In fact, I would say just the opposite. Opposition to SOPA is about making sure that content creators, of any size, can continue to reach users. For some, this is merely about switching corporate gatekeepers where “new media” behemoths take the place of “old media” behemoths. For others, it is about preserving a creator’s ability to openly share content free from any gatekeepers without the fear of costly lawsuits that would essentially eliminate any chance they would have to share their work.

Google and Facebook do not oppose SOPA because they are the “good guys.” They oppose SOPA because it’s costly. That’s it. They may blanket us in the pretty rhetoric of openness and freedom but, ultimately, they’re talking about the bottom line. In all honesty, they probably could survive a post-SOPA world albeit in much different capacity. They have the financial strength to create licensing agreements with the MPAA and RIAA. The rest of us don’t have that luxury.

The Internet is bigger than Google or Facebook. It is bigger than any single company and, personally, I hope it always remains that way. In this case, the profits of these powerful companies align with the best interests of the Internet community and that works in everyone’s favor. We already know that this won’t be the case forever, though. Indeed, that is why I am heartened by the very thing that seemed to scare Lanier: the backlash against companies that supported SOPA. I am ardent supporter of free speech, but free speech involves responsibility. I believe organizations and people have a right to choose where they spend their money. If a company supports practices that I disagree with, I have the right to not patronize that company. I also have the right to share that disagreement with others. Is this behavior the beginning form of some sort of orthodoxy? Perhaps, it is. Is it any different than refusing to sign up for a website because you disagree with it polices? Not so much.

Lanier is right in arguing that there needs to be an aggressive look at models of payment for content beyond advertising. Information isn’t free even for those sites that provide content without cost. That’s one of the reasons why Wikipedia spends so much time asking for donations. I agree that we do sometimes get caught up in the “everything must be free” mentality and that there is still a long way to go in providing solid solutions to content creators of all sizes. Blaming “free” content, however, does nothing but play into the hands of those who support measures like SOPA. This not about an Internet without rules where content is merely a pointless commodity to be traded on the nearest torrent site. This is about an Internet where practical and sane content protections do not displace or harm a growing, vibrant, and increasingly important creative community that continues to push our boundaries and the possibilities of what technology and art can do regardless of their size of their pocketbooks or their lobbying firms.

Neal Stephenson at The Iowa City Public Library, September 29th.

September 22nd, 2011 § 0 comments § permalink

I haven’t had a chance to read his book, yet. I am hoping to get it done this weekend. In any event, I do plan to be at this reading. Come early,though, it will be packed!


September 29, 2011 – 7:00pm
Iowa City Public Library
Neal Stephenson

In a special event co-sponsored by The Iowa City Public Library, Prairie Lights brings Science Fiction Writer Neal Stephenson to read from his new novel, Reamde.

Linked from the Iowa City Public Library

Connection Re-Established!

September 21st, 2011 § 0 comments § permalink

So much for that morning, eh?

After a chaotic week I found myself on the edge of a long weekend without my usual access to the Internet. I was, for several days, disconnected (I think I just shuddered a little). I could connect and interact in very basic ways but anything beyond that was all but completely impossible. Essentially, my communication stream became read-only. For a fellow used to living in a read-write universe, this was a true tragedy.

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