At the beginning of the year, I began developing a project that revolves around the idea of identity. In this case, I am referring not to the identity of the author or the viewer, inescapable in some regards, but to the identity of the characters. In most static works the identity of a character and its evolution is set. The response of the reader or viewer has no effect on the outcome or growth of the character.
In the new media space, this is no longer true. In this space, the viewer becomes a component of the story. Their experience of the story changes based on how they interact with the character and the space. This means that multiple passes through the same story play out differently because each situation has its own set of variables that are never precisely the same. The difficulty, though, is in creating a story that allows for such interaction without devolving into little more than a sandbox-style game focused solely on one character and sacrificing the value, and depth, of all other characters.
Anyway, I didn’t mean to turn this into a proposal, so I think I will pause here. Hopefully the above gives you a quick sense of what I am talking about. I may actually submit a complete proposal later on but for now let’s just say that I am working on creating different forms of interactive fiction.
My primary canvas for this project is a MUSH environment. It is a bit old-school, to be sure, but it allows rapid textual prototyping without the more time consuming graphic component. Due to class and school considerations I had put off work on this project but I am picking it up again because it is an aspect of story that has always intrigued me. I love creating interactive spaces and stories for people to explore. That truly is my passion and it is a space that I feel still has a lot to offer.
That said, the MUSH is no longer my only concept and I think I may be able to merge aspects of Operation Paranoia into a series of interactive stories. Some will be in real space while others will take place in various online venues. In these cases, I am more interested in using live players, actors if you will, to develop a scene. This will extend well into the summer and I look forward to exploring where this concept takes me.
Questions, suggestions, or friendly inquiries are all welcomed!
